Saramati - Melancholy in Ecstasy!

What is it that makes a particular ragam emote a specific rasa and another raga a totally different rasa? Of course it is the swarasthanas that make up the scale. But swarasthanas make up only the scale and a 'Ragam' in the Indian system of classical music is more than just a scale. A ragam in Indian classical music is a melodic scale, defined not only by the notes it is made up of, but also by other characteristics such as the gamahams (microtones between notes) and most importantly - the swara sanchara that is the defining aspect of the ragam. It even differentiates ragams that have similar if not the same notes. A perfect example would be Thodi and Sindhu Bhairavi. Ever wondered how the ancient Indian texts define a system of 22 notes making up an octave, though practically we know of 12 notes? The answer lies in gamahams - the microtones that is the life of our Indian system of music. More of this in a later post maybe!

Saramati: I heard this ragam the first time at a concert of Sanjay Subramaniam, if I remember correctly and I thought he was singing Natabhairavi, but I was not too sure. Sangeethame Amara Sallapame from the Malayalam movie - Sargam is brilliant piece of work in Natabhairavi, but I think there's a touch of Saramati here and there.

Initially I thought Sanjay Subramaniam was jumping notes which artists usually do. But the 'S N2 D1 M1' and the 'R2 G2 M1 G2 S' routine was coming up too many times!!! And I had heard Natabhairavi at an earlier concert of OST. And the phrases vaguely reminded of a film song, which I later found out to be 'Padariyen...' from 'Sindhu Bhairavi'. A quick googling later I came upon an exquisitely sculpted ragam with an essence that was intoxicating.

For those who are not in the know, Saramati is a janya of Natabhairavi:

Arohanam - S R2 G2 M1 P D1 N2 S
Avarohanam - S N2 D1 M1 G2 S

It has exactly the same notes in the Arohanam as its parent, but with the P and the R2 omitted in the avarohanam. It is this omission that makes the passion in the ragam more prominent along with the D1 and N2. The two phrases which I mentioned earlier are the ones that gives Saramati the touch of pathos yet at the same time makes it brim with ecstasy. Though it contains all the notes from its parent, it is so different from it.

The most popular krithi in Saramathi would have to be Mokshamu Galada, composed by Thyagaraja, set in Adi. Please do listen to a beautiful rendition of the krithi by Lalgudi here.

Ilayaraja also has used this ragam in all its beauty in the song 'Padariyen Padipariyen...' showcasing all the possible nuances of the ragam. He has even shown his cheekiness by adding a touch of Thodi in the second charanam in the line - 'Sonnadhu thappa thappa...'. While I don't mind a sensible 'corruption' of the ragam to add beauty to the song, since this is not strictly classical music to follow 'tradition', what I don't digest is the fact that while Ilayaraja could get away with this, much hue and cry was raised over ARR's 'Ennavale' and others.

What prompted me to write this post, made me fall in love with ragam again is this amazing rendition of the krithi above by the Madras String Quartet. A simple orchestration done beautifully complementing the emotion of the song, blows me away every time I listen to it. Saramati at its best:




It's a pity that there are not many krithis or other compositions in Saramati. I am yet to see a main piece in Saramati - an RTP perhaps. Is that 'cos Saramati is not one of those 'main piece' ragams?! That is yet another debatable topic - which ragams are best suited for the main piece. Maybe another post! :) But till then, happy listening to Saramati.

Remains of A Distant Time, A Distant Land

I am in one of those lows, not of depression of anxiety, but one of nostalgia. Sounds weird? Strangely nostalgia always gives me a low instead of a high. Memories from the past, all happy of course, but memories that reminds of the good old days when life was more easier to deal with, friends all around to give you support and such. Good times those.

Another strange thing is that Ilayaraja songs always makes me a little sad in the midst of all the high I get from listening to his orchestration or bass works. One such song - 'Kadhalin Deepam Onru' sparked off the nostalgia - days of my psenti sem when my sidie and I would sit and listen to all the Ilayaraja classics, trying to figure out the bass lines and admiring Ilayaraja's genius. Good times those.

Vellai Pura - An absolute genius of a song in terms of musical arrangement, a brilliant bass line, and the most amazing lyrics I have ever heard. This song has so many memories: of SKY, rag, fifth year psenti sem, DD, drunken calls and lots.

I am listening to 'Anjali Anjali' from the movie Anjali. This is another classic from Ilayaraja, that always makes me feel that I am soaring up in the sky to be pulled down again and again. Another such song is 'Raja Raja Chozhan'. The orchestral arrangements in Ilayaraja's songs always makes me feel a little low! I wonder whether there's anything wrong with me.

This was another random post. Just felt like writing.

PS: Yesudas' voice is something to die for. Period.

PPS: I have promised myself to write a longer post - a retrospective, reminiscent one and I intend to keep that promise. All in good time though.

Good times those.

A Random Ramble

During my orientation days at Wipro Technologies in the fall of 2005, the bunch of newcomers which included yours truly was asked to put on paper, artistically of course, using contraptions to aid the venture, sketches which had a message we wanted to share with the world. Of course, the stipulation forced us all to come up with a rationale behind the horrendous figures we drew! Not all the drawings were horrendous, but mine most certainly was. For some strange reason, I had come up with a mask with two faces, supposed to show the two personalities that we become as part of leading both of our professional and social/family lives or whatever. And I rambled on about my 'artistic' creation for a couple of minutes before finishing it with a thought that we tend to get busy with our work/professional life so much, thinking about careers and stuff that we forget to take a moment and enjoy the life that we lead, life that goes on around us and that which we are a part of! You would think that I would have got a standing ovation for putting forth to the world, a philosophy that has the right ingredients of being a reality check on your life. But if you thought that, you thought wrong 'cos unfortunately all I got was a one minute silence, appreciating and reflecting upon my thought/philosophy. These orientations are a bore, I tell you! Bleah...

I have rambled on I see, but hey... that is exactly the intent of this post. Dear reader, please don't curse me! :(


It's been five months since I set foot on the American soil to purse my dreams of adding a masters degree as a suffix to my name. A semester is about to get over and it's been a rather uneventful one. Yeah, yeah, yeah...I am not complaining, but it's just that even when your life is an uneventful or a busy-less one, you tend to fall into a rut of laziness. At least I tend to! And in such times, music has been always a saviour, in more ways than one. Ever since I got my 'Neo' after standing in the cold for 6 hours the night before Black Friday sales, I have been on a 'music' hunt on youtube. Youtube is a great place to search for good music, and I always make it a point to put up good videos in my Orkut collection. But I had always felt the lack of an iPod/mp3 player in my life, but all in good time.

There was a startling thing I noticed about the American society - be it the education system or at the work place, the only things I can comment on right now due to my restricted involvement, thanks to my student-alien status. You get recognition for the work that you do, no matter what race/religion/country you are from. You are rewarded for the work you do. At the same time, you get the stick if you shirk. These guys don't give prominence to 'Equal Opportunity to All' for nothing. I call that observation startling 'cos that is what it is to me, coming from a society where importance is given to your religion, your language, your caste and riots break out in a fight for who wants to be called the most backward!!! India has a lot of potential to become a world power, potential in the form of cultural diversities and traditions, potential that ironically though is our major deterrent to development. India in a way is full of racists.

Like I said, the first semester has not been so hectic. As I look forward to the coming holidays, I can't help being amazed at how fast time has flown by. It seems like yesterday when I got my admit letter from NCSU. The trip home for Christmas, a special trip to Chennai to meet close friends after a long time, the trip to Wayanad on New Year's with the Magas. The first half of 2007 was not a pleasant one apart from the fact I got here. But to call the second half of this year, the most amazing time of my life, would be an understatement. I shall try to do justice to my reminiscences in a separate post, which I hope to post before the year is up. A post that is long due.

Signing off...

PS: I have tried my best to get this post to be a true ramble - true to the title, readers may infact rate the sanity (or insanity) of this post in terms of its 'ramblingy' (Is that even a word?! What the hell do I out in here?!) nature. In other words - post a fucking comment, dumb ass! :|

PPS: The Verve - Bitter Sweet Symphony - A must listen!

To my new found motivation for blogging, maybe even a potential muse... :)

Over and Out.